Play Along Piano

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SDG

O holy night, the stars are brightly shining, Cantique de Noel.

SDG

4:01	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

Panis Angelicus, César Franck.

SDG

3:39	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	20	6	6	6	100%
Pedal	18	0	6	6	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	20	6	6	6	100%
Pedal	18	0	6	6	92%
Organ	12	6	3	5	80%
Harp	21	39	5	2	60%
	35	41	10	2	68%
Voice	8	0	1	7	67%
	8	0	1	7	67%
	8	0	1	7	67%
Violoncello	11	0	2	8	59%

In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.

SDG

3:35	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
Organ	16	31	1	5	63%
Pedal	12	0	0	6	54%
Bassoon	12	1	0	5	44%
Soprano	10	0	1	6	22%
Tenor	10	0	1	6	22%

Wachet auf, ruft uns die Stimme, BWV 645.

SDG

3:57	Est. Play Time
56	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.

SDG

3:39	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	20	6	6	6	100%
Pedal	18	0	6	6	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	20	6	6	6	100%
Pedal	18	0	6	6	92%
Organ	12	6	3	5	80%
Harp	21	39	5	2	60%
	35	41	10	2	68%
Voice	8	0	1	7	67%
	8	0	1	7	67%
	8	0	1	7	67%
Violoncello	11	0	2	8	59%

Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.

SDG

4:20	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte	18	37	4	5	97%
	25	57	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte	18	37	4	5	97%
	25	57	7	4	100%
Basso II	13	0	5	4	97%
Basso I.	9	0	3	5	96%
Tenore I	11	0	2	6	96%
Tenore II	10	0	2	4	96%

Tuba mirum spargens sonum, Requiem Mozart, KV 626.

SDG

3:26	Est. Play Time
63	Measures
	1,101Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso	21	0	7	6	90%
Violino I.	25	1	10	5	89%
View all 24 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso	21	0	7	6	90%
Violino I.	25	1	10	5	89%
Violino II.	18	2	5	5	89%
Contrabass	20	0	6	6	83%
Viola I, II.	19	7	6	5	79%
Tenore solo	13	0	5	7	45%
Basso solo	18	0	5	8	41%
Soprano solo	9	0	2	6	32%
Tenor	13	0	5	7	30%
	13	0	5	7	30%
	13	0	5	7	30%
Alto Solo	12	0	4	7	27%
	12	0	4	6	11%
Bass	16	0	3	8	25%
	16	0	3	8	25%
	16	0	3	8	25%
Trombone	16	0	4	6	25%
	16	0	4	6	25%
Trombone [tenore] solo	16	0	4	6	25%
Soprano	9	0	2	5	16%
	9	0	2	5	16%
	9	0	2	5	16%
Alto	12	0	4	6	11%
	12	0	4	6	11%

The Trumpet shall sound (Messiah, Händel), Bass aria.

SDG

7:37	Est. Play Time
215	Measures
	2,501Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	105	5	7	98%
	23	5	5	7	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	105	5	7	98%
	23	5	5	7	99%
Bassi	21	0	5	7	99%
Bassoon	21	0	5	7	99%
Violoncello	21	0	5	7	99%
Bass	16	0	4	8	70%
	16	0	4	8	70%
(Basso)	16	0	4	8	70%
Tromba.	9	0	1	7	64%
Viola	14	0	1	6	52%
Violino I.	14	0	1	6	52%
Violino II.	11	0	1	6	52%

"Wo soll ich fliehen hin?" (BWV 5, #1)

SDG

3:53	Est. Play Time
78	Measures
	2,824Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
Tenore	13	0	4	5	40%
Basso	20	0	6	4	37%
Soprano	6	0	0	2	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

Wachet auf, ruft uns die Stimme. BWV 645. Organ score with GrandOrgue recording. Sampleset Giubiasco.

SDG

3:57	Est. Play Time
56	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	7	45%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	7	45%